SKU: 72431911220

Joe Cocker – No Ordinary World - (Used) (Mint Condition) CD

Name: Joe Cocker – No Ordinary World - (Used) (Mint Condition) CD
Brand: asantecanada.ca
SKU: 72431911220
Price: 450.00 USD
Availability: InStock
Rating: 4.5715 (1274 reviews)

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Joe Cocker – No Ordinary World - (Used) (Mint Condition) CDFirst We Take Manhattan Backing Vocals Helen Hampton, Katie Kissoon, Mary Carewe Bass David Catlin Birch*, Neil Stubenhaus Drums Jeremy Stacey Electric Guitar Steve McEwan, Steve Power, Tim Pierce Electric Organ [Hammond] Jonn Savannah Engineer Matt Tait Engineer [Assistant] Matt Lawrence Engineer [Overdubs, Assistant] Andy Hasegawa Engineer [Overdubs] Andy Haller Pedal Steel Guitar Melvyn Duffy* Percussion Andy Duncan Piano Chris Elliott Producer

First We Take Manhattan Backing Vocals – Helen Hampton, Katie Kissoon, Mary Carewe Bass – David Catlin-Birch, Neil Stubenhaus Drums – Jeremy Stacey Electric Guitar – Steve McEwan, Steve Power, Tim Pierce Electric Organ [Hammond] – Jonn Savannah Engineer – Matt Tait Engineer [Assistant] – Matt Lawrence Engineer [Overdubs, Assistant] – Andy Hasegawa Engineer [Overdubs] – Andy Haller Pedal Steel Guitar – Melvyn Duffy Percussion – Andy Duncan Piano – Chris Elliott Producer [Produced By] – Steve Power Synth – Spike Edney Written-By – Leonard Cohen Backing Vocals – Helen Hampton, Katie Kissoon, Mary Carewe Bass – David Catlin-Birch, Neil Stubenhaus Drums – Jeremy Stacey Electric Guitar – Steve McEwan, Steve Power, Tim Pierce Electric Organ [Hammond] – Jonn Savannah Engineer – Matt Tait Engineer [Assistant] – Matt Lawrence Engineer [Overdubs, Assistant] – Andy Hasegawa Engineer [Overdubs] – Andy Haller Pedal Steel Guitar – Melvyn Duffy Percussion – Andy Duncan Piano – Chris Elliott Producer [Produced By] – Steve Power Synth – Spike Edney Written-By – Leonard Cohen	3:44
2		Different Roads Acoustic Guitar – Steve McEwan Arranged By [Strings] – Chris Cameron Backing Vocals – Helen Hampton, Katie Kissoon, Mary Carewe Bass – David Catlin-Birch, Neil Stubenhaus Conductor [Strings] – Gavin Wright Drums – Jeremy Stacey Electric Guitar – Adam Seymour, Billy Lang Electric Organ [Hammond], Electric Piano – Jonn Savannah Electric Piano [Rhodes] – Chris Elliott Engineer – Matt Tait Engineer [Assistant] – Matt Lawrence Engineer [Overdubs, Assistant] – Andy Hasegawa Engineer [Overdubs] – Andy Haller Percussion – Andy Duncan Piano – Chris Elliott Producer [Produced By] – Steve Power Written-By – Stephen Allen Davis, Steve DuBerry Acoustic Guitar – Steve McEwan Arranged By [Strings] – Chris Cameron Backing Vocals – Helen Hampton, Katie Kissoon, Mary Carewe Bass – David Catlin-Birch, Neil Stubenhaus Conductor [Strings] – Gavin Wright Drums – Jeremy Stacey Electric Guitar – Adam Seymour, Billy Lang Electric Organ [Hammond], Electric Piano – Jonn Savannah Electric Piano [Rhodes] – Chris Elliott Engineer – Matt Tait Engineer [Assistant] – Matt Lawrence Engineer [Overdubs, Assistant] – Andy Hasegawa Engineer [Overdubs] – Andy Haller Percussion – Andy Duncan Piano – Chris Elliott Producer [Produced By] – Steve Power Written-By – Stephen Allen Davis, Steve DuBerry	4:59
3		My Father's Son Backing Vocals – Helen Hampton, Katie Kissoon, Mary Carewe Bass – Neil Stubenhaus Clavinet – Chris Elliott, Jason Rubello* Drums – Jeremy Stacey Electric Guitar – Adam Seymour, Steve McEwan, Tim Pierce Electric Organ [Hammond] – Jonn Savannah Electric Piano [Wurlitzer] – Chris Elliott Engineer – Matt Tait Engineer [Assistant] – Matt Lawrence Engineer [Overdubs, Assistant] – Andy Hasegawa Engineer [Overdubs] – Andy Haller Piano – Jason Rubello* Producer [Produced By] – Steve Power Tenor Saxophone, Baritone Saxophone – Chris White Trombone – Neil Sidwell Trumpet – Steve Sidwell Written-By – Connor Reeves, Graham Lyle Backing Vocals – Helen Hampton, Katie Kissoon, Mary Carewe Bass – Neil Stubenhaus Clavinet – Chris Elliott, Jason Rubello Drums – Jeremy Stacey Electric Guitar – Adam Seymour, Steve McEwan, Tim Pierce Electric Organ [Hammond] – Jonn Savannah Electric Piano [Wurlitzer] – Chris Elliott Engineer – Matt Tait Engineer [Assistant] – Matt Lawrence Engineer [Overdubs, Assistant] – Andy Hasegawa Engineer [Overdubs] – Andy Haller Piano – Jason Rubello* Producer [Produced By] – Steve Power Tenor Saxophone, Baritone Saxophone – Chris White Trombone – Neil Sidwell Trumpet – Steve Sidwell Written-By – Connor Reeves*, Graham Lyle	4:29
4		While You See A Chance Arranged By [Strings] – Richard Niles Bass – Neil Harland Drums – Jeremy Stacey Engineer – Mark "Tuffy" Evans* Engineer [Assistant] – Matt Lawrence Guitar – Robbie McIntosh Keyboards, Electric Organ [Hammond], Melodica, Piano – Peter John Vettese Producer [Produced By] – Peter John Vettese Programmed By – Peter John Vettese Programmed By [Additional Programming] – Mark "Tuffy" Evans* Recorded By [Strings] – Mike Bigwood Written-By – Steve Winwood, Will Jennings Arranged By [Strings] – Richard Niles Bass – Neil Harland Drums – Jeremy Stacey Engineer – Mark "Tuffy" Evans* Engineer [Assistant] – Matt Lawrence Guitar – Robbie McIntosh Keyboards, Electric Organ [Hammond], Melodica, Piano – Peter John Vettese Producer [Produced By] – Peter John Vettese Programmed By – Peter John Vettese Programmed By [Additional Programming] – Mark "Tuffy" Evans* Recorded By [Strings] – Mike Bigwood Written-By – Steve Winwood, Will Jennings	3:51
5		She Believes In Me Backing Vocals – Bryan Adams, Marlena Jeter, Mortonette Jenkins, Natalie Jackson Bass – Neil Stubenhaus Drums – John R. Robinson* Engineer – Andy Haller Engineer [Assistant] – Andy Hasegawa Guitar – Michael Thompson Keyboards – Peter Gardeno* Keyboards, Synth [Synth. Strings], Electric Piano [Rhodes], Synth [Synth Percussion] – C.J.Vanston* Producer [Produced By] – Pete Smith Recorded By [Bryan Adams Vocal, Assistant] – Mike Beckett Recorded By [Bryan Adams Vocal] – Chris Potter (3) Written-By – Bryan Adams, Eliot Kennedy Backing Vocals – Bryan Adams, Marlena Jeter, Mortonette Jenkins, Natalie Jackson Bass – Neil Stubenhaus Drums – John R. Robinson* Engineer – Andy Haller Engineer [Assistant] – Andy Hasegawa Guitar – Michael Thompson Keyboards – Peter Gardeno* Keyboards, Synth [Synth. Strings], Electric Piano [Rhodes], Synth [Synth Percussion] – C.J.Vanston* Producer [Produced By] – Pete Smith Recorded By [Bryan Adams Vocal, Assistant] – Mike Beckett Recorded By [Bryan Adams Vocal] – Chris Potter (3) Written-By – Bryan Adams, Eliot Kennedy	4:44
6		No Ordinary World Acoustic Guitar – Billy Lang Arranged By [Strings] – Chris Cameron Backing Vocals – Helen Hampton, Katie Kissoon, Mary Carewe Bass – Mark Smith Conductor [Strings] – Gavin Wright* Drum Programming – Andy Duncan Drums – Jeremy Stacey Electric Guitar – Robbie McIntosh, Steve McEwan Engineer – Matt Tait Engineer [Assistant] – Matt Lawrence Pedal Steel Guitar – Melvyn Duffy* Piano – Jonn Savannah Producer [Produced By] – Steve Power Synth – Dave Clayton Written-By – Lars Anderson, Stephen Allen Davis Acoustic Guitar – Billy Lang Arranged By [Strings] – Chris Cameron Backing Vocals – Helen Hampton, Katie Kissoon, Mary Carewe Bass – Mark Smith Conductor [Strings] – Gavin Wright Drum Programming – Andy Duncan Drums – Jeremy Stacey Electric Guitar – Robbie McIntosh, Steve McEwan Engineer – Matt Tait Engineer [Assistant] – Matt Lawrence Pedal Steel Guitar – Melvyn Duffy* Piano – Jonn Savannah Producer [Produced By] – Steve Power Synth – Dave Clayton Written-By – Lars Anderson*, Stephen Allen Davis	3:52
7		Where Would I Be Now Backing Vocals – Helen Hampton, Katie Kissoon, Mary Carewe Bass – David Catlin-Birch* Drums – Jeremy Stacey Electric Guitar, Acoustic Guitar – Steve McEwan Electric Organ [Hammond] – Jonn Savannah Engineer – Matt Tait Engineer [Assistant] – Matt Lawrence Pedal Steel Guitar – Melvin Duffy Percussion – Andy Duncan Piano, Electric Piano – Jason Rubello* Producer [Produced By] – Steve Power Synth [Synth. Strings] – C.J.Vanston* Written-By – Michael McDonald, Tony Joe White Backing Vocals – Helen Hampton, Katie Kissoon, Mary Carewe Bass – David Catlin-Birch* Drums – Jeremy Stacey Electric Guitar, Acoustic Guitar – Steve McEwan Electric Organ [Hammond] – Jonn Savannah Engineer – Matt Tait Engineer [Assistant] – Matt Lawrence Pedal Steel Guitar – Melvin Duffy Percussion – Andy Duncan Piano, Electric Piano – Jason Rubello* Producer [Produced By] – Steve Power Synth [Synth. Strings] – C.J.Vanston* Written-By – Michael McDonald, Tony Joe White	5:28
8		Ain't Gonna Cry Again Backing Vocals – Keith Murrell, Lance Ellington, Tommy Blaize Drums – Jeremy Stacey Engineer – Mark "Tuffy" Evans* Guitar – Robbie McIntosh Keyboards, Electric Organ [Hammond], Piano – Peter John Vettese Producer [Produced By] – Peter John Vettese Programmed By – Peter John Vettese Written-By – Peter Cox, Peter Vettese*	4:06
9		Soul Rising Arranged By [Strings] – Richard Niles Backing Vocals – Keith Murrell, Lance Ellington, Tommy Blaize Bass – Neil Harland Drums – Jeremy Stacey Engineer – Mark "Tuffy" Evans* Guitar – Robbie McIntosh Keyboards, Electric Organ [Hammond], Melodica, Piano – Peter John Vettese Producer [Produced By] – Peter John Vettese Programmed By – Peter John Vettese Recorded By [Strings] – Mike Bigwood Written-By – Graham Gouldman, Peter Cox, Peter Vettese* Arranged By [Strings] – Richard Niles Backing Vocals – Keith Murrell, Lance Ellington, Tommy Blaize Bass – Neil Harland Drums – Jeremy Stacey Engineer – Mark "Tuffy" Evans* Guitar – Robbie McIntosh Keyboards, Electric Organ [Hammond], Melodica, Piano – Peter John Vettese Producer [Produced By] – Peter John Vettese Programmed By – Peter John Vettese Recorded By [Strings] – Mike Bigwood Written-By – Graham Gouldman, Peter Cox, Peter Vettese*	3:57
10		Naked Without You Acoustic Guitar – Adam Seymore* Arranged By [Strings] – Chris Cameron Backing Vocals – Helen Hampton, Katie Kissoon, Mary Carewe Bass – Neil Stubenhaus Conductor – Gavin Wright* Drums – Jeremy Stacey Electric Guitar – Adam Seymour, Tim Pierce Electric Organ [Hammond] – Jonn Savannah Engineer – Matt Tait Engineer [Assistant] – Matt Lawrence Engineer [Overdubs, Assistant] – Andy Hasegawa Engineer [Overdubs] – Andy Haller Percussion – Andy Duncan Piano – Jason Rubello* Producer [Produced By] – Steve Power Synth – Spike Edney Synth [Synth Vibes] – C.J.Vanston* Written-By – A.Roachford, B.Steinberg, R.Knowles* Acoustic Guitar – Adam Seymore* Arranged By [Strings] – Chris Cameron Backing Vocals – Helen Hampton, Katie Kissoon, Mary Carewe Bass – Neil Stubenhaus Conductor – Gavin Wright* Drums – Jeremy Stacey Electric Guitar – Adam Seymour, Tim Pierce Electric Organ [Hammond] – Jonn Savannah Engineer – Matt Tait Engineer [Assistant] – Matt Lawrence Engineer [Overdubs, Assistant] – Andy Hasegawa Engineer [Overdubs] – Andy Haller Percussion – Andy Duncan Piano – Jason Rubello* Producer [Produced By] – Steve Power Synth – Spike Edney Synth [Synth Vibes] – C.J.Vanston* Written-By – A.Roachford, B.Steinberg, R.Knowles*	4:31
11		Love To Lean On Backing Vocals – Marlena Jeter, Mortonette Jenkins, Natalie Jackson Bass – Neil Stubenhaus Drums – John R. Robinson* Engineer – Andy Haller Engineer [Assistant] – Andy Hasegawa Guitar – Michael Thompson Keyboards – Peter Gardeno* Keyboards, Clavinet, Electric Organ [Hammond] – C.J.Vanston* Producer [Produced By] – Pete Smith Written-By – Steve Diamond, Wayne Kirkpatrick Backing Vocals – Marlena Jeter, Mortonette Jenkins, Natalie Jackson Bass – Neil Stubenhaus Drums – John R. Robinson* Engineer – Andy Haller Engineer [Assistant] – Andy Hasegawa Guitar – Michael Thompson Keyboards – Peter Gardeno* Keyboards, Clavinet, Electric Organ [Hammond] – C.J.Vanston* Producer [Produced By] – Pete Smith Written-By – Steve Diamond, Wayne Kirkpatrick	4:17
12		On My Way Home Backing Vocals – Jean-Jacques Goldman, Michael Jones (5) Bass – Guy Delacroix Drums – Christophe Deschamps Engineer – Andy Scott Engineer [Assistant] – Antoine Gaillet Guitar – Patrice Tison Keyboards, Acoustic Guitar – Jean-Jacques Goldman Producer [Produced By] – Jean-Jacques Goldman Written-By – Jean-Jacques Goldman, Michael Jones (5)	4:13

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Product Reviews

Verified Purchase

Perk

Battle Creek, US

★★★★★ 5

Great fragrance

Scent: Original Citrus + Eucalyptus

Took a chance and ordered this cologne for my husband without smelling it first. We both liked it (It's all used up- gotta order more:-) A light fragrance that lasts all day.

WAS THIS REVIEW HELPFUL?YesReportShare

Reviewed in the United States on June 21, 2025

Verified Purchase

Bernie

Grantham, US

★★★★★ 2

Every cologne certainly lasts differently….. just be aware

Scent: Original Citrus + Eucalyptus

Smells very nice like Harry’s Shower jell but doesn’t last very long at all on me , hopefully others so definitely not worth the money as far as I’m concerned

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Reviewed in the United States on July 17, 2025

Verified Purchase

SanD Q

Dallas, US

★★★★★ 5

Very pretty edition of a beloved classic

Format: Hardcover, Format: Hardcover

This is a beautiful edition. Very well made and aesthetically pleasing. It's small enough and light and pliant enough for very comfortable reading. The text block is made with good quality paper that is thick enough and not glossy. The gilding is a nice touch. The only flaw was that the gilding on mine was scuffed and scratched off in some places. Overall, I'm super happy with it.

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Reviewed in the United States on November 30, 2025

Verified Purchase

Mrs. Hawkins

Alexandria, US

★★★★★ 3

Too expensive for what you get

Format: Hardcover

This book is pretty. I'm a huge fan of Pride and Prejudice, and I have many copies of it. This one is smaller than I thought it would be for the price. I don't think I would have ordered it if I had held it. Just too expensive for its size. Also not as pretty as others I've gotten for less.

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Reviewed in the United States on January 16, 2026

Verified Purchase

Sarah A. Easley

Massapequa, US

★★★★★ 4

A Beautiful Copy of the Classic(... and a little oops!)

Format: Hardcover

This is a beautiful copy of Jane Austen's classic! The cover art, the design, and gold-edging for the pages all come together to make for a lovely book perfect for display. Better yet: it's perfect for reading too. A lot of fancy printings of classics result in something that's nice to look at but not especially comfortable to read, whether it's the stiffness of the spine, the material of the pages, etc. This one manages to take both aesthetics and practicality into account, so bravo! The one drawback, thus resulting in the star knocked off my rating, is that the title on the spine is upside down. It's a little thing, but I'll have to shelve it wrong side-up or it will drive me bonkers.

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Reviewed in the United States on June 5, 2026