Billy Showell's Botanical Painting In Watercolour
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Billy Showell's Botanical Painting In Watercolour

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Billy Showell's Botanical Painting In WatercolourBilly Showell's Botanical Painting In Watercolour Billy Showell is a well respected botanical watercolour artist, and her exceptional eye for detail and ability to re create the form, texture, colour and patterning of a wide range of plants have earned her a formidable reputation worldwide. Her compositions are given a contemporary, sometimes playful twist, while retaining all the beauty and accuracy of traditional botanical paintings. In this

Billy Showell's Botanical Painting In Watercolour

Billy Showell is a well-respected botanical watercolour artist, and her exceptional eye for detail and ability to re-create the form, texture, colour and patterning of a wide range of plants have earned her a formidable reputation worldwide. Her compositions are given a contemporary, sometimes playful twist, while retaining all the beauty and accuracy of traditional botanical paintings.

In this inspiring and indispensable guide for botanical artists, she reveals the materials, methods and techniques she uses to attain her stunningly beautiful portraits of flowers, fruit and vegetables. There is expert guidance on tools and materials, working from life, observation, and drawing and painting techniques, as well as detailed sections on pattern, texture, and colour and colour mixing. With numerous step-by-step studies, close-up photographs and examples of Billy's exquisite paintings, this book is not only packed full of invaluable advice and information but also a visually stunning showcase for the work of this amazing artist.

'

Dec 2016

Billy Showell has written a number of books on flower painting but these have so far concentrated on the less formal flower portrait. Where this one differs is that is approaches it entirely from the technical side. You'll look in vain for specific examples. As well as avoiding repeating what has already been said, this method fills the inevitable void left by the specimen-led way of working. It is not, however, a primer in flower painting. For all the attention given to negative shapes, brushwork and colour mixing, this is not a book for the complete beginner. In order to tackle the discipline of botanical illustration, you need to be competent and confident with your style and your materials. Informative, practical and rewarding, this meets a long-felt need.

' - The Artist

'

This is a beautifully presented book, lovely to look at, but even better than that every page is full of clearly written, simple to understand information and techniques about the subject. It covers everything from the choice and use of materials to a range of drawing and painting skills which cover every technique one would need to paint any type of plant or flower. The techniques for handling watercolour, the flow etc would be useful for anyone learning to use this medium in any form, not just botanical paintings. I found the section on colour mixing particularly good and very comprehensive, especially the mixing blacks chapter. It is one of the few books which actually acknowledges that mistakes happen, even to the best, and explains various methods of correction, and also that it takes practice to achieve these type of results. I wish it had been available when I started with botanical illustration several years ago, I think life would have been a bit easier, in short its a fabulous book, extremely informative and beautiful to look at.

' - Anne Chalkley

'

A beautiful and comprehensive book for both beginners in botanic art and for the more experienced artist. There is something here for everyone.
Billy Showell has produced beautifully illustrated examples throughout the book accompanied by explicit text with highlighted tips and hints. The introductory chapters allow the novice artist to identify the materials needed and to use them as a course in developing botanical painting skills. The chapter on troubleshooting is helpful too and especially for the beginner. The more experienced artist will find it an essential reference book for observation techniques and ideas on composition. Colour mixing is explained in detail and forms the largest section of the book and could be produced as a separate book in its own right. Techniques with identified examples for painting detail, texture and patterns are included and ideas on multiple flowerheads as well as methods for painting from photographs.
The glossary is useful and the index logical so that specific topics are easy to find.
The principles and practices described and illustrated could be applied at any level to all water colour artists
This is an essential book on any artists bookshelf!

' - Mary-Christine Levett

'

Stunning and beautiful book – I love it!
Yet another stunning addition to my Billy Showell collection and an absolute must for anyone with a desire to master botanical paining. Highly recommended and well worth the money.  I was so excited to receive this book and I have certainly not been disappointed. This is a beautifully presented book with stunning art work.  Every single page offers hints, tips and techniques with an amazing level of detail.  Whilst it shows some more advanced techniques, beginners should not be put off and the help and ideas offered is exemplary.  I can’t wait to try out some of the new ideas offered such as using lifting preparation and I absolutely love the colour mixing charts.

' - Hazel Walters

'

Discover many step-by-step studies in this wonderful book, illustrated throughout and learn how to paint the plants you love - there is a wide range of flowers, foliage, fruits and combinations of flowers. The Contents include Getting Started, Working From Life, Observation, Drawing, Using a Brush, Painting Techniques, Troubleshooting, Painting Detail, Adding Pattern, Creating Texture, Painting Multi-Headed Flowers, Painting From Enlarged Photographs, Colour and Colour Mixing, Composition and Stretching and Finishing. It provides tips and techniques throughout such as how to keep stems fresh when painting from life. This book is like a how-to of all the things you have ever wanted to paint - how to remove a bloom for instance or how to create a prickly surface or which brush to use. The medley of daffodils is fabulous and the purple and blacks are sumptuously captured. A great guide for all who love botanical painting.

' - Karen Platt -yarnsandfabrics.co.uk

'

Exquisitely presented and beautifully painted, if you ever wanted something to encourage you to start botanical painting, this would be it.

For such a specialist, technical subject there’s a surprising number of books on botanical art. I’m not talking about flower painting in general – there are even more of those! – but ones that specifically identify themselves as belonging to the genus of scientific representation. We could quibble over how many are actually that deeply technical. In its pure form, botanical illustration is used to aid identification and has very specific requirements. For a start, you don’t paint a single example, but rather include specific characteristics that a worker in the field would look for. This may then be used to identify an existing species in an unknown location, or maybe a new one altogether.

I’ve always divided botanical art into three genres. We start with flower painting, where the purpose is to produce something that looks like what it’s meant to represent without necessarily getting every petal perfect, and where the flower itself may not be the main subject. Then there’s the flower portrait (Billy Showell’s previous speciality), where detail becomes more important and the subject may be a single stem. Finally, there’s botanical illustration, which we dealt with above.

This book adds, I think, a new dimension: botanical art that goes into considerable detail, but isn’t obsessed with total scientific accuracy and can be a record of the single example you have in front of you. As such, it’s ideally suited to the artist who isn’t a scientist but nevertheless enjoys at least some of the perfectionism that goes with full-on illustration.

The book is a joy to handle and very thoroughly illustrated, going into plenty of detail regarding the stages of completing a painting. This includes not only step-by-steps, but also examples and technical exercises that deal with things like water droplets – which are well outside scientific work. It’s inspiring, enjoyable and very thorough.

' - Artbookreview.net

SPECIFICATIONS:

Author:Billy Showell - Билли Шоуэлл

Publisher:Search Press Ltd

Language:English

Publication Date:2016

Number of pages:192 pst

Format:Hardcover

Width:228 mm / 9'

Height:250 mm / 9,8'

Weight:1008 g

ISBN:9781844484515

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When I saw the Unbreakable Teddy Extreme Bear 2.0, I thought, Finally! A toy that might survive my 9-month-old Rottweiler puppy, Pepper. She’s an aggressive chewer with a love for stuffies—she adores them, right up until she disembowels them and feasts on their cotton insides like a tiny, unhinged zombie. The toy’s name, "Unbreakabear," sounded promising. Durable? Stuffie-like? For large breeds? Sign me up! Fifteen minutes later, it looked like a crime scene from a horror movie. The Good: Pepper was IN LOVE with this toy... for about 10 minutes. The double pack is nice in theory—you know, so you have a backup when the first one inevitably doesn’t live up to its "unbreakable" promise. The Bad: False Advertising: This toy is marketed as "extremely durable for aggressive chewers." But let me tell you: Pepper’s chewing isn’t aggressive—it’s surgical. She shredded the bear’s ears, ripped off the tail, and then went straight for the brain like she was auditioning for Zombie Dogs Gone Wild. It didn’t even put up a fight. Durability (or Lack Thereof): Calling this toy "extreme" is like calling a paper towel roll a chew toy. One good shake, and the seams basically exploded in surrender. Safety Concerns: Once Pepper exposed the stuffing (and the metaphorical "brains"), it was a race to see if I could stop her from swallowing it. Stuffing everywhere. The floor looked like someone had murdered a carnival bear. The Ugly: Walking into the room after Pepper was done was like stumbling upon the aftermath of a teddy bear massacre. The "Unbreakabear" lay limp on the floor, its ears and tail missing, stuffing spewed around like it was the victim of a bear-sized horror flick. Pepper, triumphant, sat there with bits of fluff clinging to her mouth, looking like a deranged extra from The Walking Dead. Final Thoughts: If your dog is a light chewer who likes to gently cuddle their toys, this might be fine. But if your dog sees toys as a challenge, run. Stick to hard rubber toys, Kongs, or something without a vulnerable, squishy middle. As for the warranty? Sure, I could try to get a replacement, but what’s the point? Pepper will just go full zombie surgeon again. Would I recommend this toy? Only if you’re filming a sequel to Teddy Bear Massacre. For aggressive chewers, this is nothing but fluff and disappointment. Pepper’s Review: 5/5 stars for taste. 0/5 stars for durability.
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This product is not sturdy enough for an aggressive chewer as it is advertised. It took my 7-year-old "Rottie" approximately 15-20 minutes to have this "unbreakable, in destructive aggressive chewer" toy rip open and stuffing everywhere. A complete waste of money and I would not recommend this toy to anyone with an aggressive chewer.
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I purchased this product for my dog because it was advertised as indestructible. The second my dog opened the package and put the bear in his mouth the “indestructible bear” was torn apart just below the bear’s head. It was useless and the stuffing was exposed. We had to take the bear from our dog and throw it away. The product was literally destroyed, rendered useless, and unusable in seconds. We had to take the product from our dog fearing he would infest the stuffing which I’m sure would have been harmful to our dog. I have never seen a dog toy that was so easily torn apart and this has never happened to any of the many toys we have purchased and/or given to our dog for play toys. I would rate this product zero stars if possible. Unfortunately one star is the lowest rating you can give when submitting your review. I’m embarrassed I spent money on what truly is junk. We and anyone else should demand a refund for purchasing this product. Sincerely One Disappointed and Disgusted Amazon Prime Member
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Well after 2 minutes my dog completely destroyed it. That was a waste of money.
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