Stage 4 Clutch Kit (1MD) for Mitsubishi Eclipse 1996-1999 2.4L SOHC (4G64) Non-Turbo FWD
SKU: 33995125024

Stage 4 Clutch Kit (1MD) for Mitsubishi Eclipse 1996-1999 2.4L SOHC (4G64) Non-Turbo FWD

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Description

Stage 4 Clutch Kit (1MD) for Mitsubishi Eclipse 1996-1999 2.4L SOHC (4G64) Non-Turbo FWDAction Clutch's Stage 4 (1MD) Clutch Kit is designed to withstand even the most challenging conditions. Featuring a heavy duty single diaphragm pressure plate, reinforced drive straps, and an Unsprung MIBA Ceramic (available in a 4 or 6 puck) disc, this kit provides peak performance and extreme durability for low mild horsepower vehicles. Our Unsprung MIBA Ceramic clutch kit provides quicker engagement and will introduce some clutch chatter, which

Action Clutch's Stage 4 (1MD) Clutch Kit is designed to withstand even the most challenging conditions. Featuring a heavy-duty single diaphragm pressure plate, reinforced drive straps, and an Unsprung MIBA Ceramic (available in a 4 or 6 puck) disc, this kit provides peak performance and extreme durability for low/mild horsepower vehicles. Our Unsprung MIBA Ceramic clutch kit provides quicker engagement and will introduce some clutch chatter, which will minimize after proper break-in. For those looking to take their dedicated race vehicles to the next level, the Stage 4 (1MD) Action Clutch Kit provides maximum control and power with little compromise on reliability.

At Action Clutch, every kit is quality checked by one of our experienced engineers (with over 60 years of collective experience) and signed off as safe before being released as a finished product. This gives you peace of mind knowing that your Action Clutch will perform consistently every time.

NOTE: Purchasing the wrong type of clutch kit for your specific engine power output can result in premature clutch failure, damage to the transmission and void warranty eligibility. If you’re unsure what kit is right for you, contact Action Clutch direct.

170% INCREASED HOLDING CAPACITY OVER FACTORY KIT*
RACE APPLICATIONS / DRAG / ROAD / DRIFT RACING

Specifications
Product Type Stage 4 Clutch Kit (1MD)
Product Weight (lbs) 18
SFI 1.1
 
What’s Included
  • Unsprung MIBA Ceramic 6 Puck Disc
  • Single Diaphragm HD Pressure Plate
  • Pilot Bearing / Bushing (when applicable)
  • Clutch Alignment Tool

Break-in Requirements
500 street miles / Keep RPM’s under 4500, no more than half-throttle, no boost (if applicable).
Proper break-in is required in order to retain product warranty, ensure longevity and holding capacity.

Disclaimers
Ceramic based clutch discs intend to increase the holding capacity and durability of the clutch as opposed to an increased life expectancy. Using a ceramic based material for easy street driving may contribute to premature wear of the clutch kit due to the harsher engagement and because of the higher tendency to slip the clutch during street driving.

Using a clutch kit with an unsprung clutch disc on a stock or lightly modified power engine that is daily/street driven vehicle can break the rivets on the clutch disc hub. Unsprung clutch kits are not designed for daily/street use or any constant on/off engagement environment. This can be compared to running a marathon in sandals vs a proper running shoe. If you were to run the marathon in sandals, you have no cushion or comfort and can cause injuries or wear you down faster than using proper running shoes.

*Increase in holding capacity is rated in Crank Torque, not Wheel Torque




SFI Spec 1.1 Replacement Flywheels and Clutch Assemblies

California Residents: Prop 65 WARNING: This product MAY contain chemicals known to the State of California to cause cancer and birth defects or other reproductive harm. Wash hands after handling. For more information, visit www.p65warnings.ca.gov
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Exchange/Return Notes
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  • Final sale items are not eligible for returns or exchanges.
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SKU: 33995125024

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4.3 ★★★★★
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Miri
Omaha, US
★★★★★ 5
The Best Starter Writing Book Out There
Format: Kindle
Anyone who's serious about writing a book needs to start here. Gardner's advice on maintaining the "fictional dream" for the reader--that is, suspension of disbelief, immersion--is top notch. Part I, the discussion and overview of fiction, is engaging and helps contextualize the advice presented: where on the spectrum of the written word we are trying to fit into, what it aims to accomplish, what it needs to accomplish that, and how we go about creating it as writers. Part II covers the common pitfalls and offers technical advice. Style and structure are covered, with especially good lessons on diction and proper sequencing of signals in the test (stimulus, involuntary reaction, voluntary reaction--which may be thought of as cause & effect and is explained in greater depth in Dwight V. Swain's book as Motivation-Reaction Units), with solid explanations for why mistakes here harm the fictional dream and why it is important to get it right. Also covered are the "clumsy writing" mistakes such as characters looking in mirrors to shoehorn description into the text, as well as melodrama, which relies on cheap sleight of hand in writing as opposed to real drama. I loved the section on vocabulary, which explained the problem with writing-by-thesaurus while emphasizing the importance of expanding ordinary vocabulary that include more uncommon words (such as technical architectural terms like "lintel," which, while uncommon, are a benefit to writing) as well as brand names. What this book will do: - Give you a good overview of fiction - Help you understand what fiction tries to accomplish, why, and how - Explain the common clumsy mistakes and how to avoid them - Provide you exercises - Entertain you with Gardner's engaging writing voice (so it doesn't feel like a manual) What this book won't do: - Help you understand nonfiction and how to write it - Cover the common mistakes in-depth - Give you genre-specific advice - Cover anything related to self-publishing - Explain the business of writing - Take the place of critiquers, beta readers, or editors This is a great intro to writing craft book. It should, at the very least, help you understand what you're trying to do and identify your weaknesses so that you may find more narrowly tailored resources to help you. I find myself referring to the passages I highlighted quite often, both in the paperback and the Kindle version. FWIW, the Kindle version is now searchable. When I first bought it, it was not. The search function is a *great* help.
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Reviewed in the United States on February 10, 2016
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William
Chelsea, US
★★★★★ 5
This is a must read for ALL writers, not just fiction writers!
Format: Paperback
This is a must read for ALL writers, not just fiction writers! Although, in places, a bit technical, for any writer, not just new writers, for anyone who wants to master their craft, this is a must read book. What can be said about Gardner that hasn't been said yet? One of the best books on writing about writing that I have read. Comparable to Stephen King's, On Writing. Yes, it is that good. In Part I Gardner lays out a compelling treatise about the genre of fiction, what it is and why it is important. In Part II he discusses the how-to of writing good fiction, where he talks about common errors, technique and plotting at length. One of the benefits from reading The Art of Fiction is that it gives the reader a crash course in literature, who many of us that come from a Science, Technical, Engineering and Math (STEM) background are sorely lacking in. This said a writer who has grown up in the sciences, or engineering, or business worlds will find this book very useful in "catching up" a bit to our friends who have read all of classics and can retell significant scenes as though they were there. Again, this is a must (must) read for ALL writers, not just fiction writers.
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Reviewed in the United States on September 6, 2017
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G. Fisher
Omaha, US
★★★★★ 4
Helpful
Format: Hardcover
The book itself is excellent, very helpful with lots of specific information. I was disappointed (one star) that the used hardcover edition I ordered arrived as the paperback edition, though in very good condition.
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Reviewed in the United States on November 11, 2025
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Artie Anzaldua
Waukegan, US
★★★★★ 5
Good!
Format: Paperback
Needed this for a class but still keep it around as its useful to my field of study.
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Reviewed in the United States on March 19, 2026
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Here
Omaha, US
★★★★★ 5
Simply what any serious would-be writer must know.
Format: Kindle
I am a writer only in the sense that I write daily and believe that I do have that ineffable "it"; I do not, however, have any formal writing training. I say all of this to make clear that anyone, literally, can read and understand this book, gaining invaluable knowledge about the craft of writing. Some of the less effulgent reviews of this title have pointed to the "pompousness" of Prof. Gardner and his supposed sesquipedalian loquaciousness as reasons for hopeful writers to search-out more simplistic guides. I disagree emphatically. I truly believe that this book holds the keys to unlocking the divide between the good and great writer, particularly for those of us who have not had access to the best educational opportunities. Personally, I want to be a great writer. Not a good writer, not a successful, or published, or wealthy writer: a great writer. I want to move people to think about things in ways that they never would have, maybe without even knowing that their ideals are changing; I want to move people! To write like that one needs, me thinks, the guidance of one with an intimate knowledge of how this is properly -and not so properly- done, and the "arrogance" to believe he can convey this understanding, even to we ignoramuses. This is what I have found in Prof. Gardner and this wonderful tome. Distracters may feel free to criticize my review as they wish. I stand by my opinion of this book and its Author.
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Reviewed in the United States on January 5, 2013

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